An Unending Love Affair – Why I’ll Always Love The Shadow Lines

Firsts are always special. First love, first car, first job – you get the drift. For me, Amitav Ghosh’s The Shadow Lines was the first hard-core literary book I ever read. For the kind of book it is, it could have made or broken my love affair with books. Fortunately, it did the former. Not only was it the first real literary book I ever read, it was also the first book I ever wrote an essay on; it was my first real ‘Indian Literature in English’ book.

But The Shadow Lines will not be special just for these firsts. It is a book bigger than I will ever be able to encompass with my limited vocabulary. Unlike other books that I deeply love and cannot live without – I might not read TSL over and over again — it’s just not that easy a read. One of the reasons that I am such a big fan of Amitav Ghosh is because he doesn’t treat his readers as school-children, spoon-feeding them a story. Ghosh’s imagination is expansive, and he sets on his flight, expecting you to keep up with him. He is unapologetic about how smart he really is – if you can fathom the story he is trying to tell you, you can’t help but feel smart yourself.

TSL introduced me to the idea of a nameless narrator. Someone had to point it to me, in fact, that the person through whose eyes we see the story, doesn’t have a name at all. The idea itself was so fascinating. TSL also made me fall in love with the non-linear narrative. Mostly based on memory and how it affects the larger picture of life, the book bounces back and forth, between time and space, leaving you grappling for something central to hold on, simultaneously forcing you to get into the story, unabashedly.

Tridib, the person around whom the story revolves, is a character worth remembering forever. I think I’ve had a crush on him for the last ten years. Heard about through his brother, his lover/good friend, and the narrator, you never see anything through Tridib himself. The characters build his story for you – making him into a kind of myth. Tridib is one of those rare characters that says very little, but leaves an everlasting impact on the readers’ minds.

For a dreamer like me, TSL made a wonderful difference while I was growing up. It told me that it was okay to live in a life of imagination. It was not such a bad idea to sometimes leave your skin, and live someone else’s life, in a voyeuristic manner. It taught me that when you imagine, you do so with precision, because otherwise it’s just no fun. It gave my young mind the impetus to dream, wonder, and wander away to unknown places.

It’s been over ten years since I first read The Shadow Lines, but even today, the book holds me hypnotized. It makes me smile, and cry, and think. If that’s not the true testament of a good book, I don’t know what is.

Advertisements
This entry was posted in Uncategorized. Bookmark the permalink.

4 Responses to An Unending Love Affair – Why I’ll Always Love The Shadow Lines

  1. Ash says:

    Coincidentally, I just recently re-read this book too. And I didn’t realize the narrator was nameless till you pointed that out in your post! That is really amazing.

    Anyway, I was curious about how you referred to the “nameless narrator” as an idea. Is this unique to the book or is it some sort of a literary construct/themes seen in other book? Any popular examples I might recognize?

  2. sampada says:

    Ash, mostly books are written from the perspective of an omniscient third person, or a first person narrator (who usually is an integral part of the story and hence has a name). It’s always interesting to see a nameless narrator because they are very rare and each writer uses them in a unique way. The only other two books I can think of are Invisible Man by Ralph Ellison (a coming-of-age story of a young African-American man) and Rebecca by Daphne Du Maurier. (Rebecca is the first wife, narrator the second).

  3. Ash says:

    Ooh, “Rebecca” is an old favorite, and I didn’t realize we never know the name of the 2nd wife. Fascinating!

  4. Pingback: Blurring the “shadow lines” between reader and author | Sémantique

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s